American Bridget Jones fans who were upset to watch the heroine’s latest outing on the small screen have another reason to be ...

This goes for Bridget about as well as it goes for most of us, i.e., not v. well. When we first met Bridget on screen (played in all of the movies by Renée Zellweger) a quarter-century ago ...

“If [Bridget Jones’s Baby] was a death knell then Bridget Jones: Mad About The Boy is the lethal injection itself. It’s devoid of all the natural, irreverent humour of the early movies, focusing on ...

Bridget Jones keeps finding love then falling apart, making her one of the realistic and lovable rom-com leads of all time, just as she is. Photo: Universal Pictures The romantic comedy genre is ...

In a world where imperfections are filtered out and social media frames life as a curated highlights reel, Bridget’s ...

The fourth Bridget Jones film is the best since the 2001 original, and aptly enough is the most grown-up of the quartet, exploring bereavement and grief but never at the expense of wit and charm.

When did laughing at yourself become bad for women? Sad girls and unrelatable 'strong female characters' are much worse ...

To paraphrase her own mode of self-criticism, this latest instalment in the saga of hapless London singleton Bridget Jones is v v poor. Michael Morris’s film, adapted from Helen Fielding’s ...

Inspired by films like Manhattan, the romantic-comedy is a true love letter to the city. ‘London opened its arms for Bridget Jones,’ says Morris. ‘I wanted this Bridget movie to be a “real-life” ...