In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being ...

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

Leah Dickerman: These "White Paintings" may not be prepossessing, but they're among the most radical statements about painting made in the middle of the 20th century. They are blank canvases stretched ...

Emilio Ambasz/Steven Holl Stuart Wrede, 1989 Exhibition catalogue, Paperback, 24 pages The Taxi Project: Realistic Solutions for Today Emilio Ambasz, 1976 Exhibition catalogue, Paperback, pages Italy: ...

GLENN LOWRY: One of the influences on Abramović’s work is Tibetan Buddhism. In Nude with Skeleton, Abramović evokes a traditional exercise undertaken by Tibetan monks during which they sleep alongside ...

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Immerse yourself in ideas and see your world in new ways through art. In MoMA’s free Massive Open Online Courses (MOOCs) on Coursera, you will hear directly from artists and designers, look closely at ...

The Thomas Walther Collection—341 photographs by 148 artists—represents the innovative vision of the 1920s and ’30s, a transformative period of modern photography and the foundation of our photo-based ...

MARINA ABRAMOVIĆ: When the war start in Bosnia, it was so difficult time for me. I was not there. I was living since long time outside of the country. And I remember so many artists immediately react ...

One morning in the summer of 1952, Matisse told his studio assistant and secretary Lydia Delectorskaya that “he wanted to see divers,” so they set out to a favorite pool in Cannes. Suffering under the ...

EVA RESPINI: When Sherman first exhibited these photographs, they were well-received among the critics and the art establishment. However, there were a number of debates on the issue of the ...